Brick Hill Publishing

Author Lois Fowler Barrett's Historical Fiction, Romance, and Mystery Novels

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Broken Promise

BROKEN  PROMISE

 

Not much in diamonds, silver or gold
Does this love of mine have or hold,
Yet if sweetness is measured
In riches, and trust treasured
Beyond what riches can buy,
Then I have all, and that is why
I’ll love cherish, in sickness and  health,
This man above earth’s great treasured wealth.

 

I’ll take the love he offers me
To the bank of life, and let it be
Riches beyond my just desserts
To hover and protect me from all hurts
Of life, to dream, fulfill and give
Back to him a love that will live.
He little knew what he found in me,
And I could have warned him of yet-to-be,
But he placed those conditions on his giving;
After offering his heart to help my living.
Gave he happiness as best he could.
I promised more than ever I  should.
His jealousy reared its ugly head
And my new found love was all but dead.

 

Past remembrances flood as agonized mind
Of a love brought down, and now I find
I cannot bear this love once found
To be all it promised and now I’m bound
To end it all for sanity’s sake—
And—promised love? It’s not his to “take.”
—Lois Barrett ‘91

Another Chance

ANOTHER CHANCE

 

God grant me another chance
To be with someone I admire.
All I had to do was take a stance
“Gainst Satan’s regal attire.

 

I pray I’ll be good for “him”
And not hurt him in any way,
So if his future with me is dim,
Dear God, don’t let me stay.

 

He’s one in a million men,
With his quiet, gentle ways’
A man to not cause me sin,
And be happy all my days.

 

If we were one, I would be true
To his love, no matter the cost,
Because I already paid my due, And God gave back what I lost.

 

His ways are sincere, warm, and sweet
As he talks softly of better life–
I lay my blanket at his feet
To be an obedient, serving wife.
— Lois Barrett ‘91

Love’s Dreams

LOVE’S DREAMS

 

Pen glides over paper as I sit  and write
Words of despair and growth of love’s doom tonight;
And I listen, listen to nothingness in this room,
To realize the bell tolls on a lost love’s doom.

 

I was crazy in love with you before,
Yet I feel less and less need, not more
For your arms, kisses light as a feather
That I felt before we had been together.

 

Sleepless nights tell me some- thing’s wrong now,
And we might never, ever belong now.
Where did the excitement and thrills fly away to?
After we were together I’m so  lost, are you?

 

Tell me something—show me again why we care,
‘Cause at this time of night I do not dare
To look beyond the first passion we felt
So strongly we thought it would never melt.

 

“Try again,” I said and re-read your letters,
But nothing came through to untie these fetters
Of numbing doubt, fear and concern
That all the passions of yesterday no longer burn.

 

— Lois Barrett ‘91

O. Fowler

O. FOWLER

Backwoods  Artist
As featured in Springhouse Magazine

 

One of the little-known artists of Southern Illinois, whose paintings may be found in many homes, churches, and even public buildings, was Orval  Madison Fowler – O. Fowler – of rural Marion, Illinois. Who he was, where he lived, and the legacy he left behind might be obscure to many, but not to those who knew and admired his work. His descendants are scattered over the United States, with many living in Southern Illinois.

 

Fowler  never became rich because of a fear: losing his World War I veteran’s pension and his small social security check if he earned too much. Actually, all he wanted was praise and recognition.

 

Most people who commissioned Fowler to do paintings are gone and perhaps that is the mystery surrounding a scene he did of a Herod, Illinois cave and cliff building. The painting was featured in a Southern Illinois magazine – THE SPRINGHOUSE – in 1984, and prompted a request for this article of explanation.

 

The artist loved Southern Illinois areas and the outstanding scenery he beheld during many trips over the ribbons of highway that connect southeastern Illinois to the rest of the nation.  He often talked of “going to Cat Skin country – Carrier Mills, Illinois – to visit relatives if he could bum a ride there.” He never owned a car.

 

His mother, Elizabeth Davis Fowler, who died in the late Fifties, was from there. His father, James Monroe Fowler was an offspring of the settlers of “Fowler District” near Pittsburg,

 

Illinois where the artist was born.

 

Fowler boasted of having an inborn desire to paint, often telling the story of how his parents placed him on the floor near a pencil and some money. Young Orval promptly crawled to the pencil.

 

He claimed that his first painting, an owl sitting on a limb with a drive below, was laughed at by relatives. Rather than being discouraged, he studied it for improvement and claimed never to have been laughed at again.

 

During the earlier years of his painting career, beginning at age 18, he worked mostly in watercolors and pencil. Later, he learned of the ease of painting with oils, teaching himself to that end by trial and error.

 

With no formal training, Fowler worked out things for himself, and just before he died, he was still “learning.” He had only an eighth grade education, and couldn’t attend an Indiana art school he desired because of his father’s death.

 

The aspiring artist was little more than a teenager  but was left with a mother and sister to support. As a young man, Fowler painted as much as he pleased, but in later years he had to admit to taking more orders than he could fill. He did hundreds of paintings, including wall murals.

 

Many of these  may be still be found  in Illinois and include, but are not limited to, other distant areas: Florida, Washington, D.C., Texas, Michigan, California, and Wisconsin. He had repeat customers, such as a Sister at St. Antony’s Hospital in Chicago, who ordered fourteen of his paintings.

 

By far, the best of his blue-ribbon portraits is of an auburn-haired woman, his son’s one time mother-in-law. The eyes of the painting are disconcerting, eerily following one anywhere in the room from where the painting is situated.

 

This painting hangs in his grandson’s home, Brian Fowler, of Harrisburg, Illinois who is also the grandson of the portrait lady.

 

Though he was mostly commissioned to do religious art work, he would also do family pets, loved ones, and special scenes. A foreign scene painted from a photograph taken in a country a client visited hung for years in the Marion, Illinois senior citizen center. Since he often worked from photographs, it is perhaps in this way that he produced the painting of the cave and cliff in Herod, Illinois.

 

He was not above doing copies for anyone who wanted them: he painted for the sheer joy of it. In his later years Fowler’s painting supplemented his meager income of a World War I veteran’s pension – of less than a hundred dollars per month – his social security income and what little his wife could make at miscellaneous odd jobs.

 

However, as mentioned earlier, he would not charge outrageous fees for the paintings, fearing it would deprive him of his other incomes.

 

His family of five children were never richly clothed or fed, but they survived through good times and bad, apparently happy with their lot in life. Fowler also supplemented the family  income playing a “fiddle” at dances. He had no use for “high-toned violinists, and their violins.”

 

Fowler was not a handsome man by most people’s reckoning, with his rather large nose, close-set eyes, and a shock of unruly white hair, He managed to lure four women to the alter by the time he was thirty-two.

 

Three of these share the same cemetery with Fowler.
A son, a grandson, and a granddaughter – all deceased – inherited Fowler’s talent, but did not work at the art as he did. The granddaughter, Julie Fowler Orange, has paintings scattered over Southern Illinois. She died in a mysterious fire at age thirty-two, which cut off her legacy.

 

A miner until the mid-forties, O. Fowler retired early from the work force and devoted most of his time to the fiddling at dances, painting and reminiscing about his younger days.

 

He was conservative, using  masonite – he called it – for most of his paintings, not only to save money: he found the substitute for canvas easier to work with.

 

It was rare to visit his home and not find one or two outlines of of paintings taking on the essence of yet another attractive work. He was not a modest man, and would not hesitate to extol  the ability he believed himself to possess. In later years, sales fell off due to a loss of eyesight from cataracts, but this did not lessen his opinion of his paintings though he could not see the thick globs of paint and the harshness of color he was using.

 

His fourth and youngest wife – his eyes –  had died several years before. Although the buyers took the paintings, disappointment was often evident on their faces.

 

Active and on his feet until the day he sort of stumbled and fell, he asked a son to take him to the hospital. Fowler could squat on his heels with the best of them at age eighty-plus until the the last day prior to hospitalization.

 

He died peacefully in 1969 in the Marion, Illinois Veterans Hospital. Just before death took him, his faded eyes suddenly cleared and he described every detail of color in his hospital room, probably thinking how he would fit it to canvas.

Mixing Horses

MIXING HORSE BREEDS

 

My grandfather, a horse lover, mixed business with pleasure when it came to gardening and farming back in the Forties. He owned a half-blind pacer named Holly. When hitched to a buggy that pacer was unstoppable except to run her  into the barn. Wow! You talk about a ride, racing over the narrow slab into the country and Grandpa sawing back on the reins. That just made her run faster. Then he would turn her around and race the miles back to the barn. We spent every summer at the Williamson County Fair and watched races. Maybe that’s where he got that mare.

 

He produced two colts from that mare, a sorrel and a black. Now the sorrel was just as hard to stop as her mother. We called her Junie. The black, Dolly, was more manageable due to having a hip out of socket that was never righted. That was okay for us girls since we weren’t too sure about our prowess as riders. One time on the farm after a winter of freedom, Grandpa decided that we should get them used to riding again. I swear that big red was laughing when she looked back at me neighing. I don’t learn fast and she had three turns at me. Grandpa got on her and rode her to the ground until she gentled, but I’d had enough.

 

The odd thing I beheld when he plowed with that half-blind racer was that Grandpa had to go at a lope to keep up with her as she went at a fast pace down the rows and he hung on for dear life yelling “Whoa, you  ——!” He mumbled that last part, being with us ladies and all. My grandparents owned buildings downtown, that garden farm on the slab and a farm down by where Lake of Egypt is now.

 

But the gardening was done on the lots off a slab road going out of Marion, Illinois toward Pittsburg. All of this was after the tornado, of course. Now new Route 13 takes up that old road and there is new development for miles toward Pittsburg and points north.

 

Grandpa gardened the lots, raising tomatoes, potatoes, corn, all kinds of vegetables – and guess who had to wash canning jars every season for canning – but that wasn’t the fun part. Whatever was left over on the ground was good for tomato fights. Our red-head mother even joined in one time. Trouble was with that red hair we couldn’t really tell when we had a good hit.

 

I remember a locust infestation one year and we were all in on that beating them to death, but the garden was lost.

 

The odd part of the colts were that they were mixtures of plow horse and race horse. Grandpa didn’t have the money or the time to breed to good stock. We knew no different and enjoyed our young life riding.

 

Then there was the old gray mare who had a lovely colt. When he allowed us to take it to our farm what fun we had playing Hoot Gibson, jumping out of the barn loft onto the colt. How we kept from breaking her back, I don’t know, but we played cowboys until grandpa took her away.

 

He probably had to train her for plowing, but more likely thought to keep her whole from the wild grandchildren. It was about the time I roped one of our food pigs and it fell to the ground dead. I ran. It came to and got up dragging the rope behind it. Here came Dad.

That’s All There Is

Little things draw one into abuse –
Memories of good times, so obtuse
Each and every detail – black or white;
Simple belief:  whose fault – the fight.

 

Trivial the question of whether to fear
The slap so sudden or a dripping tear;
A wrong look, a silent reflection:
How, again, she caused rejection?

 

Then the reminder of who knows best,
And who decides if she passed the test.
Each day spent humbly with an Ego Shell:
Cringing, waiting to feel and know hell.
Just being alone, nowhere to turn.
Unless I’m there; can I really learn
The fear of facing after-shock
Of his earthquake fist: one knock?

 

Is it all for naught, the heart cries out?
She reaches forward, and about,
Trying to appeal to a loving heart.
She’s done her best: she’s done her part.

 

She vows right then: this will be the last,
Just as always  in the past.
Then he comes wearing elocution,
Seeking and finding absolution –

 

Filling her softly with his song.
His smile makes her long
To be held tight for a while;
Basking in his promising smile.

 

It could last – he’ll surely try,
He’ll repent: she won’t have to die
Secretly closeted in fear of his rages –
All the time knowing, it could be ages.

 

—- Lois Fowler Barrett © 2005

Julie’s Sunshine

JULIE’S  SUNSHINE

 

I thought I saw Julie today. I couldn’t have, she’s been gone since February 3, 1989. But the flaxen-haired, strong built woman I saw turned, looked at me and smiled. It wasn’t Julie’s warm and welcome smile. It was one of “Hi, there,” whoever you are, old woman.

 

I forgot that when Julie died, her hair had whitened from working with inmates at the correctional facility in  Vienna, Illinois. She didn’t show her twenty-seven years when she took a job at Shawnee. Four years later and married for the first time, her hair had turned white.

 

I like to remember how she looked all the years before she became a correctional officer for the State of Illinois. It was a job she took on my advice. When she had surgery for a large lump of fiber glass protruding from her neck, working in a boat factory she was told the glass was probably in her lungs and would keep working to the surface. I joked: “you might as well be making more money if you’re going to die anyway.”

 

Oh, God, if I could only take back those words and take back the influence my late husband used in putting her in a position of danger, I would.

 

There never was a more gentle, loving, forgiving girl in the world, I think, and she never saw  “nonredeemable” in anyone. She said of the inmates at the facility, “Mother, they’re no different than the rest of us, they just need more discipline.” No matter how hurt she was, grudges didn’t enter her mind. She was generous with money to a fault. Her car wore a bumper sticker: “Being of Sound Mind and Body, I’m spending my money as fast as I can.”

 

I excruciatingly remember the last time I saw my first-born. It was at the prison, I had a class to teach back in the far building and she escorted me there. On the way, an inmate fifty feet ahead of us yelled at her, “Orange, why did you write me up?”

 

She laughed, and said, “Turkey, I told you one banana and you took two.” He turned with a smile on his face and walked away. She had a certain rapport with the inmates I later learned from one of them. He told me when I met him on the outside. He said, “She was consistent. Not one thing one day and something else the next. We got permission to send special flower arrangements from us inmates to the funeral home.” I needed that.

 

The call of Julie’s and David’s death came late one morning after I was jerked awake around three a.m. by a voice yelling: “Mom!” It sounded like Julie calling out to me, but she wasn’t there. I sat bolt upright and couldn’t go back to sleep.

 

I remember because I still to this day wake up each morning around that time. I rolled over, waiting for time to shower, eat, dress and go to my office in the Secretary of State’s building in Harrisburg. With things to do around town first, I arrived at nine-thirty, and  had just settled into my chair when the phone rang. It was Julie’s best friend.

 

“Lois, where have you been? I’ve tried to reach you since seven-thirty this morning! Julie and David’s house burned down last night and they were in it!”

 

“Where are they? Which hospital?” I screamed as the news sunk in.

 

“They’re not in a hospital, they didn’t get out! Lois, they’re gone.”

 

“Nooooooooooooo,” I screamed. “Tammie, this isn’t funny! Don’t joke with me!.”

 

“I’m not joking,” she said, her voice breaking.

 

“I won’t listen to another word! Somebody take this phone!” I screamed and one of the office girls took the phone from me to find out what was going on. I was uncontrolled from there on.

 

I hadn’t the faculties to call Springfield and tell them I wasn’t available today, the office girl had to do it.

 

Frantically, I tried calling my husband. The phone was busy or he didn’t answer, or something. I had someone call the city and locate my son to come and get me. I was helpless.

 

I couldn’t even think about driving a car. My only son, Brian, came after what seemed forever. We tried to get hold of my other daughter and couldn’t. I insisted we rush home to find my husband. Our preacher was there and I was angry and embarrassed. He knew I was upset with him because he refused to perform Julie and David’s wedding eight months before.

 

He didn’t want to go against my husband’s belief that they shouldn’t be married. Oh, he used some flimsy excuse, but I knew. Very angry, I grabbed my son and rushed out of there. We screeched to the other daughter’s house, where she was dragged to the door by insistent pounding.

 

“Why didn’t you answer the phone? Julie’s dead!” No hello, nothing, just screaming. I didn’t think about the shock. I was just angry. This couldn’t be happening! Sandi dressed and we three rushed down to Belnap in Johnson County to view the house and try to believe it really happened.

 

There it stood. Pieces of walls smoking and an eerie smell in the air. We clung to each other. A fireman, a friend of David’s, had tears in his eyes as he told us how they found the two of them in the bedroom, David by the door and Julie lying beside the bed. A farmer outside to milk cows alerted someone about six-thirty, he said. I couldn’t listen.

 

There! The tragedy was real. Julie and David’s vehicles, parked away from the house, were scorched, but not burned. I wanted to walk over and pound on them for surviving. There was nothing left in the ashes but metal lumps silhouetted against the sun in the cold air. The bodies were long gone. It was fifteen degrees below.

 

Somebody convinced me to leave  and we left to find out where the bodies had been sent. I didn’t like having to ask her in-laws. She had only been in their family for eight months. I wanted nothing to do with that family right then. If my daughter hadn’t met and married David last year, she would be alive and living across the street.

 

I was in such a state, I forgot to call my youngest daughter, Trish, in Texas, and fill her in on Julie’s death. Some one else did it for me.

 

The double funerals were unreal to me. The night before, a massive amount of floral arrangements had to be removed to a tractor trailer to make room for the hordes of uniformed officers, well-wishers and grief-stricken families. I remember the bouquet-starved nakedness of the room at the funeral the next day. Julie’s father sat down by me.

 

“We didn’t do too bad with our four kids, did we?” he asked. Maybe he needed reassurance, I don’t know. I don’t remember who all was there. If they weren’t, it meant nothing.

 

As they wheeled out the closed casket I crumbled. The numbing shock suddenly wore off and grief swallowed me. This torture of loss lured me time and again to that cemetery to stand there and yell at God, “You could have saved her if you wanted to!”

 

I would cry and stare across the field to the burned down home not three acres from the grave.

 

I visited the site constantly. I would rake through the embers, once striking a dog with the rake because it was nibbling at what I smelled to be burnt flesh from the odor in the air. How dare that animal eat my daughter’s flesh! I couldn’t eat a grilled steak for years afterwards.  David’s sister had the burned-out hulk bulldozed to rid us of the silent reminder.

 

I finally I changed my route through that county so I wouldn’t spend so much time at the cemetery. I had to collect myself, get on with life, return to sanity. I had three other children and two grandchildren.

 

I haunted the sheriff’s office, the property, David’s sister, searching for an answer. I found evidence that the fire probably was set, but the fire Marshall didn’t. It was accidental, he ruled. Of course, he wouldn’t have to poke around at fifteen below zero for clues that way. Filled with grief, I reasoned that he must have been a political appointee who didn’t care. To someone else I pointed out the discrepancies.

 

It was agreed the fire was suspicious and I was off and running. There was no serious investigation of any kind, not even by the coroner who was mandated by law. He seemed angry that we had the funeral somewhere besides his business in the same county.

 

Veiled threats, demands to return to work, nothing held me back. I was bent on solving this mystery. Then my husband died. I crashed. It wasn’t worth it anymore even though I had hints from relatives of other correctional officers that Julie and David  were murdered.

 

Everything changed. I spent the next year and a half of trying to maintain appearances,  now and then arriving each day at the proper place in my twenty-one counties. I gave up, but not until I realized life is only worth living if your children live.

 

Everywhere I went and everything I did reminded me of the baby I lost. David had made her happy for eight months, but I resented it. She stood back and watched two sisters marry while her hazel eyes spoke volumes of sadness over her own unfulfilled life. I cannot forget that look, but I cannot forgive David for putting her in a position to die.

 

When the day to teach in the prison again arrived, I fell apart. Julie’s friend Tammie escorted me out. I never taught there again. No one in Springfield insisted that I go in there again. The class was just dropped. All this time I had to live with the memory that the last chance I had to talk with Julie by phone the day before they died, I told David I would talk to her later. Later never came.

 

I rambled around trying to be in the right place at the right time after I was forced to return to work by the department head, even though my husband had died weeks after Julie. That was the beginning of the end. I was in trouble more than out. Julie’s death haunted me. I would think of all the times we shared before she married. I built a shrine, watched her wedding video over and over. I was justly  reprimanded for that. A son-in-law impolitely jerked the video out of the machine. I cannot find it now.

 

With my husband gone, I developed ulcers, missed more work, fell and broke my elbow and finally after a year and a half of death of friends and relatives, I called it quits and moved to another state. I missed only Julie at first, but later, my husband’s death haunted me. Why wasn’t I with him the day he died? At his funeral I had screamed at God again.

 

“First Julie, now Dee, what else can you do to me?” It was the tip of the iceberg.

 

I’m not a frequent visitor at Julie’s grave now, with it’s heart-shaped stone and the engraving: “Forever Sweethearts.” I forgave myself, I think, for not being a closer mother, but every time I visit her smiling face on my computer screen, I see the long blond hair, and the hazel eyes smiling at me from beneath high-arched, black brows. Julie’s smile, there from birth, is God’s treasure now. Seventeen years is yesterday.

 

It’s time to remember that God didn’t give me that baby by a hundred thousand miles, He just thought I needed some sunshine and loaned her for awhile.

 

# # # # # # # # # # #

Forgotten: The Past

Forgotten: The Past

 

In a moment, forgotten were
words of yesteryear –
that long ago bitter parting.

 

Silver hair gleamed o’er
the sunlight of his smile
and she rushed into his arms.

 

Ah, sweet surrender
as she felt the strength
of his grasp and warmth.

 

Over seventy, both of them,
yet the youth was there
as they basked in being.

 

He was glowing as he
realized God had healed
his ineptness of manhood.

 

They floated into his place
wrapped in the sun of his
existence and longing.

 

No memory of why they
parted –just aching to be
together and cling.

 

As though the divorce had
never taken place and the
marriage was intact –

 

Afterglow filled the rooms
and they knew it would be
once again the love known.
– Lois Fowler Barrett

Take Your Time

TAKE YOUR TIME

 

A soft southern drawl invading my mind
As floods of confusion drown surprise
In the wine of his voice and I find
Myself thinking about smiling eyes.

 

“You don’t even know him,” my Logic cries
Out, to cover the excitement and danger
As he says my name and tries
To think what to say to a stranger.

 

“You’ve been alone too long!” shouts Reason
To my trembling hand holding the phone.
“Then be careful this dreary season,
You’re not using him—you are just alone.”

 

“Friendships grow over boundaries and age.
They do not happen with quickened interest,”
Again cries Logic, that depressing Sage.
“Hold your feelings in secret—that way’s best.”

 

I weary of Reason, Logic and Sense now;
I tire of waiting for life “around the bend.”
I reach and hold a hand to my brow
For the dream he offers as a friend.

 

–Lois Fowler Barrett    1990

Charles

CHARLES
He was older
And kinder
And gentle -

 

Sweet to me
Over others:
Sentimental.

 

I noticed him
From the start
And soon

 

His very presence
Was important,
And by noon

 

If he hadn’t
Dropped by
To see me
I would wax
Empty, alone
And be
Anxious, alone,

 

He was so good,
So gentle,

 

And so kind.

—Lois Fowler Barrett 1979

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